Tag Archives: new music

Record Review: “.Wav Theory” by Towkio

Chicago continued its dominance over new music last week as Preston Oshita, better known to the world as Towkio of the SaveMoney hip-hop collective, unveiled his highly anticipated “.Wav Theory” project to the world. Part of the group that brought us Vic Mensa and Chance The Rapper, Towkio here steps out with a talented, genre-bending release that comes packed with local intonations while looking optimistically outward, as the world opens up for the young artist. Formerly know locally as Tokyo Shawn, Towkio has always been the outlying presence in a collective that boasts some diagonal personalities. A former quarterback at Lane Tech High School, he’s been a leader for a new school of fashion-forward rhymesayers who have paced the Chicago scene. “.Wav Theory” is his magnum opus—at least to this point in his career. Packed full from start to finish, the project benefits from the work of executive producer Peter CottonTale of The Social Experiment, who worked closely with him for more than two years, tinkering with the project and all its abstracted hip-hop and dance aesthetics. The pair come together most notably on “Heaven Only Knows” featuring Chance, fellow local Eryn Allen Kane and Lido. Using nuanced, bracketed organ chords and Kane’s Sunday church-invoking vocals, Towkio shows off his witty wordplay and penchant for careful sentence structure on a track that racked up over five million plays on Soundcloud upon release. Top to bottom, this project is a success. Similar to Chance’s “Acid Rap” and Vic Mensa’s “Innanetape,” this release is poised to vault Towkio from hangouts and parties around the city to major events and festivals across the country. As we all wait on pins and needles for The Social Experiment’s “Surf” project, Towkio serves up a wave for us to ride. It’s both a continuance of what the SaveMoney collective has proven to locals over the last few years, and a welcome, uplifting collection for a city that can always use it. (Jake Krzeczowski) – See more at: http://music.newcity.com/2015/05/08/record-review-wav-theory-by-towkio/#sthash.aYx3lbya.dpuf

Towkio and Kehlani Pack Out The Metro in Chicago

Photos by Bryan Lamb

Two years ago I stood on the floor of The Metro in the shadow of Chicago’s Wrigley Field and watched as Chance The Rapper turned a crowd of teenagers and kids in their early 20s into a frenzy. It’s crazy to think it’s been two years since Acid Rap Live. The movement continued Saturday (May 16) as the latest member to emerge from the local SaveMoney contingent took his place alongside Chancelor Bennett and Vic Mensa, proving himself a formidable act on the strength of his recent release,.Wav Theory. Continue reading Towkio and Kehlani Pack Out The Metro in Chicago

Vic Mensa Rocks Secret Show in Chicago

Originally Appeared for XXL Magazine

The ripples of Kanye West were abundant at the Chop Shop in Chicago’s Wicker Park neighborhood Friday night for 21-year-old Vic Mensa’s homecoming. That the show sold out in under 20 minutes was no surprise given the hometown hero’s recent ascendance via Yeezy. Fresh off unveiling “Wolves” alongside ‘Ye at Saturday Night Live and then again the following week in London, the show was the city’s first glimpse of Vic as a bonafide star that many watched grow from day one. Continue reading Vic Mensa Rocks Secret Show in Chicago

[Feature] Meet Vic Mensa’s Chicago Hip-Hop Collective SaveMoney

If you’re at all familiar with the burgeoning Chicago hip-hop scene, then the name SaveMoney should carry some weight; the multi-faceted collective has been at the forefront of the local scene for some time. Championed by Vic Mensa, the crew of longtime friends is comprised of 20-something creatives, students, artists, activists and entrepreneurs counting the likes of Chance The Rapper, Donnie Trumpet and the Social Experiment band in its auxiliary ranks. While not exclusively a hip-hop group, SaveMoney has become a force in the rap world with a packed lineup that is both based in the nuances of classic hip-hop and pushing the envelope for what the genre entails.

It’s a patchwork of styles, aesthetics and sounds that make up the whole, much like the city they’re from. Hailing from a place billed as one of the “most segregated cities in the world,” children are gunned down for walking on the wrong block in their own neighborhoods. SaveMoney, with members that come from all sides and corners of the city, operates as a uniting force that is representative of the future while staying rooted in the facets that have paced Chicago for generations.

While many may know of Vic and Chance, both of whom were XXL Freshmen in 2014, the group boasts a wide-ranging variety of hip-hop intonations that run the gamut of what listeners have come to expect from the Midwest and has allowed the roster to develop into a “next-up” type of situation that has seen each artist release critically-acclaimed projects, sell out local venues and find fans both in and out of their city in the process. Unlike New York City or Los Angeles, Chicago isn’t particularly known for its forward-thinking fashion, it’s artistic intonations or eye for aesthetics. However, this band of kids, raised in the Internet age, is representative of the contemporary, progressive thinking of a new generation that has not only pushed the envelope, but found eyes and ears across the country in the process. While the north, south and west sides of the city may be geographically close, they can often feel like completely different places with separate sub-cultures and influences throughout. SaveMoney, however, has relied on an interplay of every side and corner of the city to create a truly layered representation of their hometown that defies any set boundaries in the process.

Last year, Vic Mensa performed for the second time at Lollapalooza, a festival he almost died sneaking into, and joined Chance on the final night as a headliner. With as much diversified talent as SaveMoney has as a whole, it’s not out of the question to think that might become a regular thing for years to come. The collective has grown, matured and seems ready to take on anything in it’s path, while still remaining close friends in the process. XXL spoke to Vic Mensa, Joey Purp, Towkio, Caleb James, Brian Fresco, KAMI, Dally Auston and Sterling Hayes to find out what makes them tick. —Jake Krzeczowski Continue reading [Feature] Meet Vic Mensa’s Chicago Hip-Hop Collective SaveMoney

[Feature] Growing up on Glenwood: An Interview with A Billion Young

Over the past couple of years, Chicago has become a fertile locale for new musical talent. From Chief Keef to Chance The Rapper to The Orwells and all that’s in between, the plethora of music happening in the ‘Second City’ has some residents whispering words like renaissance and golden age. The reason for the progression is the city’s innate relationship with a series of musical movements spawned and perfected within Cook County’s borders. By playing on a cross-section of those influences and the movement created by their peers, production duo A Billion Young have positioned themselves as the next act to emerge from a crowded ground floor. Continue reading [Feature] Growing up on Glenwood: An Interview with A Billion Young

[Feature] Meet A-Villa, The Chicago Producer Who’s A Banker By Day And Created His First Album By Night

Adrian Villagomez is a bank manager at Suburban Bank & Trust in the Chicago suburb of Bourbounais. The 33-year-old married father of one wakes up around daybreak every morning, checks on his daughter, puts on a suit and handles transactions, customers and all that goes on in a house of finance. After five though, Villagomez takes on a different persona. Loosening his tie, tossing on a pair of sneakers; Adrian Villagomez becomes A-Villa. Continue reading [Feature] Meet A-Villa, The Chicago Producer Who’s A Banker By Day And Created His First Album By Night

Saba’s West Side Story Is One Worth Listening To

Originally Appeared on Noisey

“It’s go time! Y’all not acting like it’s go time,” Saba shouts to the people gathered backstage at North Coast Music Festival in Chicago’s Union Park. He turns around with wide eyes, clapping loudly, in a moment of enthusiasm that seems uncharacteristic from the self-professed nerd and career quiet kid. After pacing the distance from his tent to the stage several times, he dips his head and trots up the stairs leading to the stage. As his band goes through sound check, he squints through the stage’s backdrop at the slowly gathering crowd. His feet move up and down, fingertips nervously drumming against his microphone. He holds it tight to his chin. “PIVOT!” he yells, a smile crossing his face as he repeats his clique’s nickname in call and response. “PIVOT” the hundred or so in attendance for the set shout back. Continue reading Saba’s West Side Story Is One Worth Listening To

The Come Up: BandMan Kevo

Written By Jake Krzeczowski

Crossing the street and entering the ice cream parlor it was easy to pick out Bandman Kevo. Clad in sweatpants and a pair of Louis Vuitton sneakers, he stood out from the typical Baskin Robbins patron. Shaking hands with the rising 24-year-old hip-hop artist, who has taken his hometown of Chicago by storm with a series of lavish, gold-encrusted singles that have seen regular play both on Chicago’s Power 92.3 & 107.5 and the web, he approached the counter and ordered. After grabbing me a mint chocolate chip shake and a sundae for himself, we crossed the street, entered his building, and headed up the elevator. Continue reading The Come Up: BandMan Kevo

[Feature] Introducing: Eryn Allen Kane

We eased into our seats at the Boiler Room, a bastion of pizza in Chicago’s Logan Square neighborhood with a killer deal for a slice and a beer. As I settled into the booth with local singer Eryn Allen Kane, the waitress laid the orders out on the table like a challenge: two tall Pabst Blue Ribbons, oversized pieces of pizza and shots of Jameson. As the Blue Line rumbled above us in the distance I cozied up to the corner table to try to figure out how best to describe to the world a 24-year-old R&B artist with a public discography that is almost nonexistent. Continue reading [Feature] Introducing: Eryn Allen Kane

[Review] Mick Jenkins: “The Water(s)”

Chicago’s Mick Jenkins has some pretty serious thoughts about water.

Aside from being the namesake for his highly-anticipated project, The Water(s), the natural resource is also the first thing listeners hear on the opening track “Shipwrecked.” The 22-year-old rapper is the latest to rise from the city with poignant lyricism and a clear aesthetic that is understood throughout his catalog. The difference with Jenkins has been his ability to migrate from the city and grow his brand elsewhere in the process. Continue reading [Review] Mick Jenkins: “The Water(s)”