By now it’s not surprising at all to hear of a new, exciting act coming out of Canada. OVO and a steady contingent of artists from indie to full-fledged pop have positioned our northern neighbors as new-age proprietors of a range of sounds that have come to pace a sort of unique cross-pollination of genres that often find new understanding within its borders. While the R&B and Hip-Hop spaces have been packed full of card-carrying Canadians for some time, it was the brash, unapologetically rock-influenced sounds of 23-year-old Grandson that caught my ear. Having only begun to step out as of late with a string of talented singles that speak to his careful interplay of established motifs, Grandson is proving that rock isn’t quite dead yet.
For 23-year-old Grammy Award-winning producer/trumpeter Nico Segal, progression has often come from home. Whether physically or musically, the Chance The Rapper collaborator has made a name for himself by working alongside longtime colleagues and experimenting with music first introduced to him before high school in his native Chicago. His latest endeavor, a new-age jazz fusion group named The JuJu Exchange, acts as a perfect continuance of a career made by listening to his heart and playing music with his friends. This time around, he’s looking to make a new kind of statement musically by returning to his roots. Continue reading How Social Experiment Producer & Trumpeter Nico Segal Formed Jazz Fusion Group The JuJu Exchange
Chance the Rapper made headlines Friday (March 31) by announcing new plans to help support Chicago Public Schools. Calling a press conference for 2:30 p.m. at Paul Robeson High School on the city’s South side in Englewood, the Chicago native took another step forward in his fight to get the funding CPS deserves by teaming up with the Chicago Bulls to donate another $1 million to schools, alongside a new fund to support the arts in Chicago and added donations from his end. Continue reading Chance the Rapper Creates New Arts Fund for Chicago Public Schools
In 2017, the City of Chicago has found itself in need of heroes. With skyrocketing shootings, rising socioeconomic disparities and a city teetering on the edge of bankruptcy where fraud runs rampant, the city is desperate for someone to show us a way forward. Lately, 23-year-old Chancelor Bennett has emerged as the catalyst for what’s next by championing individual rights, helping organize communities from the ground up and, just this week, putting $1 million dollars of his own money towards closing the massive funding gap within the Chicago Public Schools. So, it seemed odd then to pick up the Chicago Sun-Times, the paper I first wrote about Chance The Rapper for, to see a story by Mary Mitchell essentially belittling the Grammy winner’s contributions by pointing to problems he allegedly had with the mother of his child. That the story, which is wrought with reporting holes and an honest understanding of the situation, ran on the front page is an affront to not only what Chance is doing, but where many of those living here would like to see the city go. Continue reading In Response • Chicago Sun-Times Embarrasses Itself, Further Alienates Young Readers With Irresponsible Chance The Rapper Cover Story
Over the course of the last half-decade here in Chicago we’ve collectively been lucky enough to enjoy as one wave after another has built, crested and broke onto the shores of the country at large. For whatever reason, I’ve found myself in rooms with many of those types, and a couple weeks ago was another unexpected opportunity as I was afforded an opportunity to catch a familiar face on the scene, but a relatively fresh name on the music side of things in the form of 23-year-old TASHA. Continue reading Home Team • TASHA
It took about twenty minutes into their set for Francis White to stand up and tear off his Thrasher sweatshirt, revealing a sweaty and taut torso accented from behind by his bright red frock of hair. Now standing, throwing his top stage left, he smashed down hard on a cymbal with a drumstick clutched in his right hand and looked into the crowd with a vengeance. A sly smile crossing her face, his sister Alex White stood in a prepared stance, her guitar perched on her hip. “We’re White Mystery, and this is song is called “Fuck Your Mouth Shut” she said before tearing into a series of riveting guitar riffs that moved Francis quickly back to the kit. Continue reading White Mystery Continues To Evolve, Kick Ass With New Album, ‘Fuck Your Mouth Shut’
It’s Mid-February In Beverly Hills And Already The Night Is Getting Long.
Taking a long sip from a glass of champagne, Kevin Rhomberg lifted his head from his glass, haphazardly brushing his mess of shoulder-length hair from his face and looked out across the scene before him. Stepping back from the surreal reality he now enjoyed, he began to try and make sense of the last few hours between congratulatory hugs and an endless stream of photos. Earlier that day, Rhomberg had earned his first Grammy award for his work on Chance The Rapper’s Coloring Book that picked up the nod for ‘Best New Rap Album’ under the assumed alias of Knox Fortune. While many saw the win that weekend as the conclusion to a long story, Knox stood watching his friends, colleagues and heroes mingling with ease at the GQ-hosted event at the gilded Chateau Marmont. Understanding in that moment just how far he’d come in music, the night instead felt like the beginning of a story with a lengthy prologue, even the loftiest of dreams now within reach. Continue reading Knox Fortune Emerges From Behind The Scenes
As we continue along this ever-expanding idea of a Chicago Renaissance, it’s undeniable that the forward-thinking artistic movement goes well-beyond just music. Art, at its essence is interpretation and no one takes cues like fast-rising dancer, choreographer and Oak Park native, Ian Eastwood, who has been forging a new path in his own lane that speaks to a larger independent movement that has come to pace this scene of artists and creatives operating out of the midwest. Continue reading Home Team • Ian Eastwood
(Originally Appeared for TheseDays News)
At a time when most of his peers are hunting down summer jobs, jonesing for internships or cramming for finals, 19-year-old Evanston native Kweku Collins is lounging idly on a couch. An electronic vaporizer in one hand, the other rubbing his loose collection of curious locks, each with it’s own plan and direction that dictate his wily look, Collins looks very much the part of a college student nearing the end of his freshman year and in a way, he is.
Instead of picking a school and signing up for classes though, the ever-sleepy-eyed Collins sent a mixtape to Alex Fruchter and Mike Kolar, owners of the local imprint Closed Sessions. He hit send on the email at the beginning of February 2015, by the time the Chicago River was dyed green, he was a signed artist with a team to boot.
The DC/Maryland/Virginia area, affectionately known by locals as the ‘DMV’, has been a solid outpost for hip-hop music for some time, producing well-known talents such as Wale, Pusha T and Pharrell as well as progressive new-age acts like GoldLink, Fat Trel, and Kali Uchis. While not necessarily a hotbed of talent, the locale is consistent if anything, which makes sense that it also birthed current rising star Jay IDK.