For 23-year-old Grammy Award-winning producer/trumpeter Nico Segal, progression has often come from home. Whether physically or musically, the Chance The Rapper collaborator has made a name for himself by working alongside longtime colleagues and experimenting with music first introduced to him before high school in his native Chicago. His latest endeavor, a new-age jazz fusion group named The JuJu Exchange, acts as a perfect continuance of a career made by listening to his heart and playing music with his friends. This time around, he’s looking to make a new kind of statement musically by returning to his roots. Continue reading How Social Experiment Producer & Trumpeter Nico Segal Formed Jazz Fusion Group The JuJu Exchange
As we continue along this ever-expanding idea of a Chicago Renaissance, it’s undeniable that the forward-thinking artistic movement goes well-beyond just music. Art, at its essence is interpretation and no one takes cues like fast-rising dancer, choreographer and Oak Park native, Ian Eastwood, who has been forging a new path in his own lane that speaks to a larger independent movement that has come to pace this scene of artists and creatives operating out of the midwest. Continue reading Home Team • Ian Eastwood
Earlier this week, Chance The Rapper and his Social Experiment band unveiled “Angels,” a new single with special guest Saba, on The Late Show with Stephen Colbert. The performance was a moment to remember as D-Low and DJ Oreo joined for footwork support, the push toward Chance’s much-anticipated third solo release officially underway. While the brevity of a fully independent act debuting a song on national television wasn’t lost on most, there was one element of the performance that was tucked away yet in full sight. Continue reading COULD CHANCE THE RAPPER’S LATE SHOW PERFORMANCE BRING CHANGE TO CHICAGO RADIO?
In its tenth year, Pitchfork Festival looked to its hometown of Chicago for support. The city that birthed indie-music celebration was this year’s theme, as it helped honor P4K’s ten-year anniversary. While rain was the fest’s biggest news—it forced several Saturday artists to cancel last minute—hometown talent was Pitchfork’s most salient aspect. Chicago claimed seven of the festival’s total acts, including three of the headliners: Wilco, Vic Mensa, who was elevated to headliner last minute, and, of course, Chance The Rapper, who closed out P4K with a rousing rendition of “Sunday Candy” with none other than gospel legend Kirk Franklin.
Through the course of the three days we learned a handful of new truths. These are just eight of them. Continue reading All Of The Important Things I Learned At Pitchfork Festival 2015
For the past two years, writer Jake Krez lived in the house that would become the starting point for Donnie Trumpet & The Social Experiment’s Surf, sharing the house with Social Experiment members Donnie Trumpet and Peter Cottontale. Many long days and nights were spent by the group crafting the project, which was released last week on iTunes. As the album neared completion, Krez sat down with Trumpet to talk about the group’s path to the final product. Here’s his up-close-and-personal look at how ‘Surf’ came to be.
A House In Chicago, Winter 2013
It was the beginning of winter in 2013. The stark cold of Chicago in November sent Peter Cottontale and Nico Segal — known more famously as Donnie Trumpet, the creative lead on Surf — down from the attic of the house Peter and I rented just north of the Logan Square neighborhood of the city. Setting up shop just outside my bedroom door in the basement, the two began tinkering, laying out
the arrangements and initial imprint of what Surf, Donnie Trumpet and The Social Experiment’s just-released project, would become.
It was a different time for the Chicago music scene. Vic Mensa had yet to crawl onstage with Kanye West, and Acid Rap — the mixtape that put Social Experiment affiliate Chance The Rapper firmly in the national spotlight, thus setting the stage for Surf‘s hype — was only eight months old. At the time, the biggest thing happening was the breakup of Kids These Days, the seven-piece band that started it all. The group, which featured Segal on horns alongside Mensa and Social Experiment drummer Greg Landfair, cut ties shortly after Acid Rap released in the spring. It was a distinct moment in time for the Chicago scene at large; Kids These Days had blazed a trail right to the stages of Lollapalooza and The Conan O’Brien Show that Chance and Mensa would later build upon, respectively, as solo artists.
Segal was perhaps most affected by the breakup. It was while performing alongside Kids These Days at South by Southwest in 2011 that Chance was “discovered,” and Nico had been a big part of his growth, along with the growth of many other local young stars. I remember being invited to join some of the Kids These Days members the weekend after the breakup announcement on a trip north to a family farm in Wisconsin. Sitting around a fire that night, I remember watching Segal, ahead of going on tour with Frank Ocean, shed real tears about the group’s end. His music is his life — his trumpet rarely leaves his side. In that moment, it seemed his passion for assembling and marshaling a talented group of artists had gone forever.
“The end of the band was definitely hard. That group was all I had known since I was 14 years old,” Segal told me, sitting in the attic where Surf began. “What I realized is that I just love making music with my friends, and I’m fortunate enough that my friends are really, really good at what they do. So as much as the breakup hurt, I was lucky enough to be able to find something that I could really understand and enjoy musically.”