There is seemingly no minimum age requirement in EDM music these days. As the festivals grow larger and more grandiose, many of the artists manning the decks, keeping the party going and travelling the world are becoming increasingly young. Enter Will Sparks, the 20-year-old Australian DJ who headlines at Studio Paris tonight as part of his “Melbourne Meets America Tour”. His arrival in Chicago was prefaced by an inclusion on the Beatport Chart, an online EDM barometer of who’s got next. Continue reading [Profile] Will Sparks Hits American Soil
Chance the Rapper, “Acid Rap” ★★★½
One of the most difficult feats in hip-hop is the ability to create a fully cohesive project. Rising Chicago artist Chance the Rapper did that on his debut, “10 Day.” With “Acid Rap,” his follow-up mixtape, he proves it was no fluke as his latest adds to the composite picture of Chance as an artist and a person.
“Acid Rap” picks up where his debut left off, as the lead track, “Good Ass Intro,” starts off with a familiar blend of soul-and-juke aesthetics that have become Chance’s calling card. The track also is completely Chicago, with production from his go-to team of Peter CottonTale and Stefan Ponce blending with the sultry sounds of Lili K and Kiara Lanier and vocals by BJ the Chicago Kid. With horns, thoughtful lyrics and a throbbing bass, it’s obvious why Pitchfork Media recently named it as a “Best New Track.” Continue reading Chance the Rapper continues his artistic climb with ‘Acid Rap’
BY JAKE KRZECZOWSKI March 13, 2013 11:38PM
Since starting the hip-hop blog Fake Shore Drive in 2007, Andrew Barber has consistently shone a light on Chicago’s lesser-known rappers.
On Thursday, through a partnership with the RedBull Sound Select concert series, Barber will continue to do what he does best — helping to curate a Chicago hip-hop showcase as part of the “140 Hours to Austin” lineup at the Texas city’s South by Southwest music festival. Continue reading Sorry, Kanye: Andrew Barber is the face of Chicago hip-hop
Chicago musician Lili K (Kryzanek) is jazz with a nose ring — literally.
Blending jazz with hip-hop and R&B to form a wholly eclectic sound, the 21-year-old Milwaukee, Wis., native, who sports a stud in one nostril, has begun to carve a niche with her new take on the musical style while keeping jazz alive.
“I think my sound is very distinct, and I’ve gotten good at blending genres,” said Lili. “It’s awesome to be able to go from a jazz jam session to a Treated Crew party across town and be welcome at both.” Continue reading Blend of genres marks Lili K’s style
BY Jake Krzeczowski December 26, 2012 11:25PMOriginally appeared for Chicago Sun-Times
Updated: December 27, 2012 10:50AM
There aren’t a lot of bands doing what Lotus does.
As the laptop increasingly slides into the role of introductory musical instrument that the guitar has held for generations, jam bands like Lotus have slowly become less prevalent.
Lotus isn’t just any jam band though. Through a mix of syncopated improvisation ala Umphrey’s Magee and computer-generated sounds the group has been able to carve out it’s own sound it dubs jamtronica.
The unique sound arrives for two nights in Chicago with a back to back showcase at the Riviera Theater December 27 and 28 as part of their five-night New Year’s Eve tour that starts in Chicago and ends on the 31st with a show in Baltimore.
“We often do several shows leading up to New Year’s but this might be the most we’ve done in a row,” said Jesse Miller (bass/sampler). “It was a good chance for us to get out and play a number of shows in
cities we haven’t played ina while.”
The two-night run at the Riviera will surely feature the band’s endless onstage jamming that will touch on their extensive catalog, both old and new paired with an inspired light show.
“We try to draw the crowd into the human element of the show,” said Luke Miller (guitar/keyboards). “[The lighting] is a very powerful part of our show and our lighting guy has been with us since the beginning so he’s locked into our improvisation.”
Lotus closes out 2012 with its eye on the future, including plans for at least two albums and maybe a third that is still in production dropping in 2013.
“I think it’s going to be a celebration, a celebration of the new year,” said Jesse. “It’s a great opportunity to get a bunch of people in some cool rooms and have a good time.”
New Year’s Eve will be Chris Mathien and Co.’s second time playing a concert as they ring in the New Year at Reggie’s Rock Joint for a 21+over show.
With that experience behind them, they kind of know what to expect.
“We performed two years ago at Reggie’s and we were supposed to do the countdown at midnight,” said lead singer/guitarist Mathien. “Everyone’s cell phone was on a different time so people were kind of celebrating sporadically while we counted off.”
That was two years ago.
Since then the band, consisting of Mathien and drummer Omar Jahwar, bassist Erik Kaldahl and keyboardist Peter CottonTale (Wilkins), which performs under their lead singer’s surname has figured a few things out.
After starting the band as a college student at Southern Illinois University, Chris Mathien moved north to Chicago and met CottonTale, a gifted musician who he immediately added to the band’s lineup nearly three years ago.
“I grew up playing Jazz and Soul but then I found this Rock/Funk, Maroon 5-sounding guy,” said CottonTale. “But it was a smooth transition musically because I understood where he was coming from.”
With the end of the year quickly approaching, mathien has been sure to plan out the show carefully will be handing out 100 free CDs with an unreleased new single, as well as polishing that countdown.
“I think we’re going to put an official countdown on the stage somewhere this time to avoid confusion,” said Mathien. “We’re excited to have the chance to rung in the New Year in Chicago.”
Across town, Charles Bradley performs two shows at Lincoln Hall. Known to audiences as the “Screaming Eagle of Soul,” 65-year-old Charles Bradley visits Lincoln Hall for shows on Dec. 30 and 31.
“I’m looking forward to returning to Chicago, when I was there last it was a beautiful time,” said Bradley.
The funk/soul singer got his break in music late, at age 49, performing as a James Brown impersonator under the name “Black Velvet.” Noticed by Daptone Records, the Otis Redding-like vocalist has since recorded several albums with another one on the way in 2013.
For all it’s history in Blues and Jazz, Chicago seems like the perfect place for Bradley to land for a beginning to the New Year.
“I’ve been pushing for a long time for this opportunity,” said Bradley. “I am taking that opportunity and making the most of it, I want to show everyone at these shows what I can do and show them all the love I have.”