One of my “Acts to Look Out For“ from Chicago, Saba, dropped his long-awaited video for “Secondhand Smoke” yesterday, which offered glimpses of wintertime Chi alongside Vesely-esque digital effect to create a powerful aesthetic in the lead up to his project, ComfortZone. Since seeing Saba and his co-horts, Pivot Gang, for the first time at the after-school spoken word poetry program, Young Chicago Authors, it has been refreshing to see his uniquely powerful, yet ultimately conscious rhymes begin to find their way out of the city. As we saw a crop of artists rise from Chicago last year, Saba has gone about positioning himself for the bright lights of the big time perhaps better than anyone else, playing what seems like a show a day around the city, and keeping his travel schedule tight in getting around the country to spread the Pivot word. “Secondhand Smoke”, shot by the ever-talented guys over at Heart of the City, continues to build the buzz that has surrounded Saba for some time, keep an eye out for ComfortZone.
If you happened to spend time in Chicago’s Logan Square over the past year or so, Netherfriends and his three-fingered salute shouldn’t be wildly unfamiliar to you. To be honest, there aren’t many places unrecognizable to the wildly eclectic 27-year-old producer/performer. Having crisscrossed the country several times and one-upped Sufjan Stevens by writing a song in every state, Netherfriends has grown a truly grassroots following among indie fans, electronic heads and rap aficionados alike. His latest working, “Uptown Boys” is a rumination on time spent in the north side neighborhood of Chicago, known for its upscale music venues and dark corners and alleys, the video, shot by Elevator, is a sort of montage of Netherfriends live shows, intense personality and off-the-wall disposition. He’s kind of a weird guy, but it’s what makes his music so endearing, you can feel every ounce of him poured into each track, a tall order for someone who seems intent on working constantly.
Sidewalk Chalk embodies Chicago. As much as the recent Vice “Chiraq” documentaries have done the opposite as of late, the eclectic eight piece band from the Second City pulls from both their hometown’s past and present while focusing on writing it’s future. The immediately soulful feelings of their latest project, Leaves, released February 24, is the result of an penchant for a sound that came off less polished and more gritty, capturing the sensibilities of both vocals and instrumentation that can be lost in post-production. Continue reading |Interview| Sidewalk Chalk Grows, Releases ‘Leaves’→
The day has finally come for Chicago’s own Lil Herb to step out on his own. After first hitting the scene early last year with fellow south side artist Lil Bibby on the strength of their joint project which produced nods from the likes of Drake, and a slew of record labels. Continue reading |Mixtape| Lil Herb: “Welcome To Fazoland”→
Last week, Psalm One, aka ‘Hologram Kizzie’ dropped her album, Hug Life via Bandcamp and iTunes. This week, on the heels of a solid first week of sales for the largely independent artist out of Chicago, Psalm offers up the first video for the project for “A New Phaze” which has production from electronically-inclined production team The Hood Internet, as well as Cleveland hip-hop collective Tanya Morgan and right-hand woman Fluffy who all join her on the eclectically-fun track that sets the tone for the rest of what is to come from the project that firmly straddles several different genres and sounds that come together to provide a sampling of styles and endeavors that are hot right now. Continue reading |Video| Psalm One: “A New Phaze”→
The O’My’s are easily one of the most soul-packed bunch in Chicago. Led by Maceo Haymes and Nick Hennessy, the band has seen its stock grow since releasing their latest album, A Humble Masterpiece late last year via RH and playing a host of high-energy sets around their hometown and beyond. Continue reading |Video| The O’My’s: “Sweet Love”→
Well, if you haven’t heard, love is in the air. Adding to the Valentine’s Day spirit is Mike Golden & Friends out of Chicago. The soul rock group adds another layer to the already heightened sense of the four letter word with another well-crafted video from the talented Elijah Alvarado. Never one to do things the same twice, Alvarado begins the video with Golden beginning a wall of dominoes, which then pace the first few moments of the visual depiction of the band’s song “Every Morning Love”, eventually sparking a mechanism, seemingly out of the opening scene of The Sandlot, that announces the title in one of the most creative ways I’ve ever seen it done. Remember when the song title and artist name were just white writing in the bottom left corner? It’s 2014, people. Basically, Golden and Alvarado set up a girl’s dream Valentine’s Day morning set to a single off the band’s latest project, Utopia. Check it out above.
Lately, we have been hearing a lot of good coming out of the New York City collective “Inner City Kids” (ICK), and just before the weekend the world got the latest from the group’s newest MC in ABGOHARD, who teamed up with Slater for a fresh new project in Rich Yung Pimp. Continue reading →
Back in 2012, while looking for a different sound to add to their latest project, electronic gods Daft Punk turned to Panda Bear, the somewhat leader of Animal Collective, the progressive, experimental group of artists including Geologist, Deakin and John Maus have consistently pushed the envelope, merging traditional instrumentation with specifically electronic aesthetics and world influences to create an end product that is a departure from much of what hits the airwaves today, and also influencing much of what comes afterwards. Continue reading |Video| Avey Tare’s Slasher Flicks Announce Tour & Album with “Little Fang”→
King L’s latest banger, “Tony”, off his recently-released mixtape Drilluminati 2 is a mafioso dream cut with shot of L’s harrowing live shows donning a three piece suit. The song and the video create an interesting aesthetic for the 27-year-old artist from Chicago and calls to mind a young Jay-Z going the same route when his career had hit a breaking point, a decision which ultimately vaulted him to the top of hip-hop for years to come and allowed him to re-write the narrative that had followed him to that point. The points in career are much different, King L largely holds his destiny in his own hands, but perhaps the sentiment makes sense. “My name is Louie, but they call me Tony” is simple, yet packed with meaning and braggadocio and the suits and overall motif may well be a direction King L wants to keep traveling down. While the video gets the overall aesthetic right, it misses an opportunity to take this song from up a notch by using the mafioso and Tony Montana motifs a bit further. Chance also makes a cameo, keep an eye out for that. Full video, from WorldStarHipHop below.
Jake Krzeczowski 